Silent film actor Justus D. Barnes in a famous frame in "The Great Train Robbery" (1903)
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In Pictures: 110 years of incredible filmmaking history

Cinema has evolved from flickering matchsticks to digital revolutions in just over a century. These images trace the development of an industry that redefined global culture.

Early innovations

Silent film actor Justus D. Barnes in The Great Train Robbery (1903)
Silent film actor Justus D. Barnes in the famous ending scene from The Great Train Robbery (1903). The movie is considered the first American action and Western flick in filmmaking history.
Matches: An Appeal (1899)
The first use of animation in movies was Matches: An Appeal, a thirty-second short in which stop motion match figures asked British moviegoers to send matches to soldiers fighting in the Boer War. Propaganda and patriotism later became a frequent theme in movies, especially when the industry established itself in Hollywood after the First World War.

The rise of the theatre

The first Nickelodeon in Pittsburgh
The world’s first theater devoted exclusively to moving pictures appeared in Pittsburgh in 1905. Its founders called the place Nickelodeon, from the price of admission (a nickel) and “Odeon” the ancient Greek word for theatre. With opening hours from 8 am to midnight, the theatre could serve up to 7000 daily.
A Trip to the Moon (1902)
Production still from the 1902 French silent movie A Trip to the Moon (Le Voyage dans la Lune). Internationally acclaimed and pirated thanks to stellar production values and unusual focus on story, the movie has become something of an icon of its era.

Regulation and patents

Newspaper notice about movie theater fire, 1909
Early cinema often took place on poorly constructed temporary venues. As film prints were from highly flammable cellulose nitrate and limelight illumination, filmgoer faced significant fire hazard. In Britain, incidents like the one mentioned in this newspaper clipping motivated legislators to pass The Cinematograph Act of 1909, one of the first attempts to regulate the movie industry. The law also introduced legal grounds for censorship and paved the way for British Board of Film Censors, established in 1912.
Thomas Edison and George Eastman, 1928
Thomas Edison (on the right, pictured here in 1928 in the company of Kodak founder George Eastman) is still considered something of a patron saint of innovation. His hard-handed business centered around patent litigation could have killed off the motion picture industry. Ars Technica has a fine piece on the subject.

Hollywood dominance

Victor Sjöström and Ingmar Bergman
Early Swedish filmmaker Victor Sjöström, here with Ingmar Bergman, started his career in his homeland but moved to California in the early 1920s. The European film industry was badly held back by the First World War and a budding film culture in Russia died off after the Bolshevik revolution. Consequently, during the first half of the 20th century Hollywood became the main movie industry location.
Newsreel movie theater in 1945 Los Angeles
In the Anglosphere, newsreel movies quickly became popular around 1910 to be surpassed only after television mass ownership took off after WWII. Theaters started to specialize on short-form news reporting and documentaries. Depicted above is a newsreel theater in Los Angeles near the end of World War II in 1945.

The television era

Drive-in movie theater
With the 1950s came the advent of television sets in every home. Studios used Cinemascope and VistaVision in a desperate attempt to lure viewers back to theaters. In this decade, we also saw the arrival of drive-in movies and science-fiction films, featuring aliens as substitutes for the Communist menace to the East.
Michael Caine in Alfie
Alfie, starring Michael Caine, was one of many incredible movies shot in the UK during the 1960s. Thanks to the ever-increasing cost of making films in Hollywood and the shrinking size of studios, many studios began making movies abroad, mainly in Britain. British cinema also experienced a new wave of grim, non-fictional, social realism dubbed “Kitchen Sink” due to its angry, everyday working-class heroes, frank dialogue and negative post-war themes.

Global influence and blockbusters

Sergio Leone filming Henry Fonda
The Italian film director Sergio Leone, here filming Henry Fonda in Once Upon a Time in the West, was part of a trend sweeping 1970s America. By the mid-1970s, 76% of all American movie-goers were under 30, 64% of whom had gone to college. Consequently, European art films, the French New Wave and the Spaghetti Western as well as Japanese cinema were all making a splash in the United States.
Ghostbusters (1984)
The 1980s was characterized by the introduction of ‘high-concept’ films, such as Ghostbusters, with cinematic plots that could be easily characterized by one or two sentences and therefore easily marketable. Producer Don Simpson and Jerry Bruckheimer have been credited with the creation of the high-concept picture or modern Hollywood blockbuster. Although its roots could be seen in the late 70s with movies such as Jaws (1975), Saturday Night Fever (1977), Star Wars (1977) and Alien (1979).

The digital revolution

The Matrix (1999)
This scene from the classic 1999 movie, The Matrix, by the Wachowskis underlines how the 1990s heralded a digital revolution, with pioneering film-makers experimenting with making digital-video (DV) films, pushing digital imagery and special effects or projecting films digitally.

The 2000s had a profound effect on filmmaking, with the ascendancy of Google, Amazon and YouTube combined with tech products such as ubiquitous laptops and smartphones. Filmmaking became democratized. No longer did you need a big budget or a fancy camera to create a movie and find a platform from which to broadcast it. The Nails is a great example of the possibilities of smartphone cinematography. This incredibly scary little short film made by Clement Deneux for the 2011 Disposable Film Festival won first prize. Be warned the violence and supernatural horror means it is probably not safe for work.

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4 Comments

  1. Wow, never knew the kids’ TV channel name came from the world’s first cinema. You learn something every day. Cheers guys.

  2. Fun Fact! The title image is considered to be the first instance of a direct address! (Breaking the 4th wall) Also this movie was among the first to use cross cutting, otherwise known as parallel editing, to show two events going on at the same time, in separate places. This is the full movie. https://www.youtube.com/watch?v=8oTdPklBE0Y It’s only 11 minutes long.

    1. Close! The first film to ever use cross cutting was made and released a few months earlier by the same director (Edwin S. Porter). Life of an American Fireman was the film in which he debuted and developed his technique of creating a continuous narrative while showing action in two different places. Life of an American Fireman was much shorter and used only nine shots. However, most of the versions you find online have been re-edited by the Library of Congress to not be intercut, for which there is no explanation.

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